О графическом дизайне
Designed by London based studio POST, Fare is a new magazine exploring the culture of cities through food and history. Each issue focuses on a different city, with the first issue being dedicated to Istanbul. The content of the first issue comes from the locals, therefore accurately representing…
German content agency Loved commissioned Bureau Borsche as Creative Director for the fourth relaunch of Audi’s corporate magazine. He chose to shift the focus towards photography, bold type and a subtle use of white space to give the publication a new minimal look.
Logo and graphics for a juicy sandwich shop in Richmond.
Having worked closely with Cake Wines over the last few years, we were approached to create an overall visual language for their first Cellar Door which opened in early 2016 in Redfern, Sydney. The concept plays with the idea of nostalgic still life paintings and an interplay of shapes found in…
Visual identity for Flygrl, Melissa’s latest collection. Melissa is an iconic global footwear brand with origins tracing back to Sao Paolo, Brazil. Melissa has an international presence in more than 80 countries and more than 200 stores just in Brazil. We created a design system that is being…
Exposure: Olivia Crumm Speaking to Gem Fletcher, the photographer shares the story behind her series Wake, which has been shortlisted for the Aperture portfolio prize, and discusses family, grief and the psychology of making portraits Inside the BFI’s new online video archive From early Flash…
Why it’s time to take ugliness seriously The trend for brands using hand-written fonts and messy aesthetics is more than just fashion, it’s a reaction against big tech and AI, says Kyle Raymond Fitzpatrick, author of the Trend Report newsletter The Monthly Interview: Burnermunde From viral skits to…
Care France campaign links rising temperatures to domestic violence The OOH work from agency Belle, titled Degree of Violence, highlights how climate change affects women and vulnerable communities Anaïs Odoux on making collage her creative playground The French designer and illustrator reflects on…
Establishing a new identity for the organisation Design Sweden, founded in 1957. A custom typeface family was designed to create a unique voice for the organisation along with a simple and clear tone of voice communicated through a colourful graphic language. The new identity was launched during…
Hipchips is the first of its kind: a crisp restaurant in London’s Soho. It cooks crisps on site using heritage potato varieties and pairs them with experimental dips, both savoury and sweet. We created a brand to get it noticed as the latest disruptor in the capital’s ultra-competitive food scene.…
KO are production specialists covering all aspects of photography and video, delivering professional content for leading brands. With an expansion in both offer and size, we were asked to re-design their identity along with a comprehensive stationery suite and range of promotional materials. The…
This past weekend, British artists Jamie Wardley and Andy Moss accompanied by numerous volunteers, took to the beaches of Normandy with rakes and stencils in hand to etch 9,000 silhouettes representing fallen people into the sand. Titled “The Fallen 9000,” the piece is meant as a stark visual…