О графическом дизайне
Frozen food is getting a rethink as shoppers look for practical ways to keep good food from becoming waste, and the student project Nativo makes that idea its entire packaging system. Eva Chistyakova borrows the visual language of Karl Troll’s climate maps, wrapping each bag in rippling contour…
LUAK takes minimalism somewhere much more curious than just being stripped back for simplicity’s sake. Anastasia Shulga builds the entire identity around an abstracted Malayan civet tail, broken into rough black marks that almost resemble ink stamps or expressive brushstrokes. The reference…
Giftware brand Block Design creates adorable household goods packaged in tins inspired by Portuguese sardine cans Using the mass appeal, timelessness, and nostalgia inherent to tin packaging, Block Design reimagines these forms with vibrant, color-blocked patterns Packaging is everywhere, for those…
a joint that adapts to variation instead of standardizing it Omnibite by Eugenio Costa and Nicolò Tallone begins in the moment where a branch is cut, held, and turned in the hand before anything is assembled. The project proposes a shift in self-building that moves construction back to the moment…
SHIFTING DESIGN FROM A SOLVER TO A PROVOKER AT PARIS DESIGN WEEK Presented by Pli office for Paris Design Week 2026, ‘TOUT EST CHAOS’ takes over two floors of La Gaîté Lyrique to question the role of objects in an over-produced world. Historically, modernism defined design by its utility, aiming to…
Marina Willer isn’t just a designer and partner at Pentagram London, she’s also a filmmaker; she’s behind numerous short films made for the likes of architect Richard Rogers, and her 2017 feature documentary Red Trees – about her family fleeing Nazi occupation in Prague during World War II – saw…
Of course, not every cocktail is quite so easy to remember. There are thousands of the things, many with names that give absolutely no clue what you’re about to drink. “Mint to Be” or “Kitten Punch.” A dainty sip wrapped in a rugged name, or a classic twisted just far enough to make you laugh. Half…
When Victor Hwang is offline, he’s likely making some very avant-garde clocks with his housemate, or working in the adventurous activities department of a local school, getting kids outdoors hiking and camping. But when he’s online, you can be sure to find him making some of the most thoughtful,…
ALTERNATIVE MATERIAL LANGUAGES AT HOME How can material innovation and unexpected forms bring joy to the homes we inhabit every day? Three London-based designers are rethinking materials from radical new perspectives and exploring how the idea of home is shaped by community and the act of making.…
Love and Money agency Mindsparkle Mag Idealworks' brand identity keeps a robot fleet working in concert Idealworks deliver industrial automation in the harshest working environments, factory floors. They provide fleets of robots and the technology to operate them to some of the largest businesses…
Mindsparkle Mag ARKEN's identity system runs on 80s signage and binary motion ARKEN is an Amsterdam-based digital-first creative studio who work with ambitious teams on unique online experiences, combining thoughtful design with meaningful interaction. They’ve worked with the likes of LVMH,…
Violaine & Jeremy designed Pilot Typeface, an expressive display serif blending sharp angular tension with aeronautical precision. Parisian creative duo Violaine & Jeremy has consistently pushed the boundaries of editorial display lettering, crafting typefaces that occupy a rare space between haute…
Florian Cornut designed Still Magazine Issue 00, establishing a disciplined editorial vision dedicated to coffee culture in Lisbon. Print publications that treat contemplation as their primary aesthetic standard remain rare. Still Magazine Issue 00 was conceived from the ground up to slow down the…
Explore brutalist typography in SL24 by Kseniya Artman, merging 12-column Swiss grids with industrial cargo telemetry and safety orange accents. Berlin-based designer Kseniya Artman constructed this monumental brutalist typography system for Synthetic Logistics 2024 (SL24), a biennial exhibition…
3d printed ceramic wall adorns electrical substation facade Powerwall by Studio RAP forms a 40-sqm ceramic 3D printed artwork within the facade of a new 150 kV switchstation in Beverwijk, the Netherlands. Designed by Powerhouse Company for energy infrastructure operator TenneT, the building…
El Trampolí, a foundation in La Bisbal d’Empordà that works with people with intellectual disabilities and their families, asked art director Jaume Serradelarca and Jordi Masdeu to design labels for three bottles of wine. What they came back with was an identity and packaging for a whole…
Lebara is a mobile virtual network operator – meaning it sells mobile service on another operator’s infrastructure – and has millions of customers across Europe. “What made it the right moment, I think, was that even internally there was a clear feeling the existing branding had gone stale, it…
If you find yourself feeling impatient at the slow, meditative opening scenes of “The Spectacle,” just wait. The short documentary from The New Yorker visits a slew of stunning vistas primarily across Norway, showcasing star-dappled night skies and awe-inspiring mountaintop views. We’re witness to…
Although Hew Locke’s practice revolves around geographically bound objects—superimposed drawings of Guyanese homes and his suspended flotilla among them—the artist traces the reaches of empire that extend far beyond any singular era or point on a map. How people, capital, cargo, and ideas traverse…
“404 Page Not Found.“ That’s what I’m seeing as I go back into the archives to 2022 to confirm my memory of how Colgate announced the rollout of its new, widely recyclable toothpaste tube. And let me remind you, this was a massive deal for a piece of packaging that goes straight to landfill or the…
In Derrick Jensen’s 1995 book Listening to the Land, Chickasaw poet and environmentalist Linda Hogan said, “There is a way that nature speaks, that land speaks. Most of the time we are simply not patient enough, quiet enough, to pay attention to the story.” Decades on, we continue to grapple with…
‘NOT A PASSENGER’ INSIDE BERLIN’S ICONIC LUXURY DEPARTMENT STORE Inside the OMA-renovated halls of KaDeWe in Berlin, a striking pink set up offers an unexpected pause. Marking the launch of the limited-edition ‘Passenger’ collection — co-created by fashion brand Namilia, Telekom Electronic Beats,…
Explore the serene branding design for Auren by Nathalia Ultramar. The identity pairs architectural typography with tactile stone textures. Nathalia Ultramar created a refined visual system for development firm Auren & Co. The company unites architectural development with dedicated wellness spaces.…
Explore the brand identity for Estúdio Drama, featuring a hand-drawn custom logotype, raw character illustrations, and electric color palettes. Brazilian graphic design studio Estúdio Drama created its own comprehensive brand identity in 2025 to articulate an unapologetic, visceral creative stance.…