О графическом дизайне
Experience the disco-inspired branding for DJ Filguz designed by Pedro Faria, Jean Rosa, and Leandro Santana. A visual trip of pure music. Pedro Faria, Jean Rosa, and Leandro Santana built a visual system that feels alive. High-contrast shapes and bold layouts capture the energy of the dance floor.…
Simplifying a complex robotics platform into a human design system. Evolving the global branding of Rerun by design studio Studio Gruhl. The visual identity plays with robotics cues to build a unique system. Rather than using cold spaces, this branding focuses on a gritty workshop feel. The…
Explore the ai-design design branding visual identity of Oblio Magazine. Federico Agnelli dissects rejected work and failed project layouts. This print editorial features rejected design work. Federico Agnelli uses clean, modular grids. High graphic hierarchy structures the pages. The visual…
Here's a number we didn't expect: £350. That's the median day rate among the illustrators who told us they're based in London. It's also the median day rate for illustrators everywhere else in the UK, pooled together. Same figure, to the pound. Whatever premium London is supposed to carry, it isn't…
a sealed internal chamber stores beer without compromising the board’s shape the board is designed to be both surfable and functional as a beverage dispenser Beerboard reinterprets a familiar surfboard through engineering and product design KEEP UP WITH OUR DAILY AND WEEKLY NEWSLETTERS
Packaging expert Lisa Cain shares her opinion on reusable packaging.
BP&O Plus Packaging BP&O Voices Written by Lisa Cain Posted 15 July 2026 My kitchen has become a refuge for used packaging. There’s a Quality Street tin full of dog treats and Gü ramekins turned into dip bowls with perfectly fitting Pringles lids. My collection of jars staged a coup and moved out…
Ask most illustrators to name their career highlight, and you'll get their biggest client: the global drinks brand, the broadsheet cover, the company whose logo makes other creatives sit up. But Marcos Montiel, the Argentinian illustrator behind Cinzano's picnic-and-food-truck campaign and covers…
Branding agency FutureBrand has completed a pro bono strategic and visual overhaul for Australia’s national autism peak body, renaming the organisation to target systemic advocacy. Images courtesy of FutureBrand Autism Awareness Australia has officially become the Autism Association of Australia.…
Welcome to Booms & Shakes, our monthly round-up of the hires, launches and wins making noise across the creative world. July has arrived warm and heavy with inbox traffic, which is either a sign of a buoyant industry or a lot of people trying to get news out before the summer slowdown. Possibly…
It's a little weird when you think about it. Creative studios spend their careers building things other people put their name on. You pour years of craft into a brand system or a typeface, and then it goes out into the world wearing someone else's logo. Koto has spent a decade doing exactly that…
Hybrid human-AI design outperforms pure AI on packaging metrics, study finds A study of 3,600 international consumers reveals that combining artificial intelligence with human design generates higher appeal, purchase intent, and willingness to pay than using either method in isolation. Image by…
Artur Ardvenev's web design agency portfolio 3d interface layout displays uncompromisingly sophisticated characteristics. This project reimagines the digital presence for Locomotive agency. The spatial layout places volumetric objects as key functional focal points. These geometric assets anchor…
How Kiln used procedural physics to unify the BAFTA identity Creative studio Kiln has developed a dynamic, generative visual framework for BAFTA’s four major awards ceremonies, utilising Cavalry to capture the evolution of creative energy across physical and digital formats. Design Week talked to…
Co-directed by and starring Succession’s Nicholas Braun, the campaign repositions the Detroit-based brand around the value of time Independent creative studio GentleForces has unveiled the first-ever overarching brand campaign for Shinola, marking both a notable creative reset for the American…
From viral skits to a ruff-clad Wayne Rooney, the directing duo are intent on capturing contemporary Britain in all its gritty, glorious absurdity Over the past 12 months, Burnermunde have emerged seemingly out of nowhere as one of the most hyped young directing duos in the UK, receiving acclaim…
The agency has evolved SomeOne’s existing identity with its new campaign, using playful photography to capture the spirit of the venue’s £1.3bn transformation In June this year, the 140-year-old Olympia exhibition centre in west London reopened following a £1.3 billion transformation led by…
adaptive public architecture evolves past basic compliance to introduce dedicated adult changing facilities that champion spatial equity.
CORE COFFEE sorts its beans by where they grew, arranged by colour and a single numeral. Every stylised number is drawn loosely, quickly, and intended to be readable at a glance. The concept and packaging come from taoSTUDIO, a Shanghai-based design studio, whose brief was to keep the beans, not…
The identity for the UK’s National Year of Reading 2026 recasts reading as the way to go deeper into something you already love – whether that is cooking, coding or climate action – rather than a duty to be shouldered. “By pulling from vernacular language, we created the ‘Go All In’ name to…
Hello! I’m Alessandro Scarpellini, art director and design manager from Italy with a reductive and modernist visual language, specialized in strategy, branding, and visual communication. Visual Journal is my blog, where I showcase the finest branding and graphic design projects from around the…
the h5 x auzmendi table was designed for a shop window in san sebastián candle holders reveal the varied colors and textures KEEP UP WITH OUR DAILY AND WEEKLY NEWSLETTERS
In Yorùbá culture, it’s said that more than 600 years ago, a hunter discovered a lush grove in southwestern Nigeria carved by a rushing river. His community had experienced drought and eagerly moved to the region, which they quickly learned was under the rule of the goddess of rivers and fertility,…
During the medieval and Renaissance periods, baskets were everyday essentials—no plastic bags at the supermarket or even reusable totes. They were also used for all sorts of activities, from handled varieties for produce at the market to decorative vessels holding sewing materials to large versions…